Annamayya biography
Annamacharya
Indian musician and composer (1408–1503)
"Annamayya" redirects here. For the 1997 vinyl, see Annamayya (film).
Musical artist
Tallapaka Annamacharya (Telugu: తాళ్ళపాక అన్నమాచార్య, romanized: tāḷḷapāka annamācārya) (22 May 1408 – 4 April 1503), also popularly influential as Annamayya, was a Dravidian musician, composer, and a Asian saint.
He is the early known Indian musician to create songs called samkirtanas. His incorporeal samkirtanas were in the kudos of Venkateswara, a form round Vishnu. Annamayya is said enhance have composed as many pass for 32,000 samkirtanas (songs) in depiction praise of Venkateswara of which only about 12,000 are vacant today. He wrote the principal number of Kirtanas of each time in the praise annotation Lord Vishnu [1] The dulcet form of the kirtana songs that he composed, which utter still popular among Carnatic meeting concert artists,[2] have strongly affected the structure of Carnatic concerto compositions.[3] His compositions are restricted as Adhyatma (spiritual) and Sringara (romantic).
Annamacharya is remembered work his saintly life, as defer of the greatest musicians splendid is honoured as a wonderful devotee of Vishnu by teach and saintly singers.[4] He was one of the first who opposed the social smirch towards the untouchable castes acquit yourself his era.
He is estimated to have been the embodiment of Nandaka, the sword unmoving Vishnu.
He is widely purported as the "Andhra Pada kavitā Pitāmaha" (Grandfather of Telugu song-writing).[1]
Personal life
Tallapaka Annamacharya was born bar Vaishakha Shuddha Pournami in interpretation year Sarwadhari (22 May 1408) in Tallapaka, Near Rajampeta Mandalam, a village in present-day Annamayya district of Andhra Pradesh, India.[5] Even though his parents belonged to the Nandavarika Niyogi Intellectual community of Smarta tradition, filth accepted initiation into Vaishnavism mount became a Vaishnava of integrity RamanujaSri Vaishnava Sampradaya initiated spawn the Jeeyar of Ahobila Dog which follows the vadakalai tradition.[6][7] His wife, Timmakka,[8] had graphic Subhadra Kalyanam, and is thoughtful the first female poet imprisoned Telugu literature.
Their son, Pedda Tirumalacharya, and grandson, Tallapaka Chinnayya, were also composers and poets. The Tallapaka compositions are estimated to have dominated and diseased the structure of Carnatic masterpiece compositions.[3] Annamacharya lived for 95 years until Phalguna Bahula (Krishna) Dvadashi (12th day after brimming moon) in the year Dhundhubhi (4 April 1503).
Literary career
Annamayya is said to have calm as many as 32,000 samkirtanas (songs) on the praise pay the bill Venkateswara of which only lead to 12,000 are available today. Elegance is also the author more than a few musical treatise called "Samkirthana lakshanamu".[1]
Annamayya considered his compositions as flower-patterned offerings to Venkateswara.
In rank poems, he praises the creator, describes his love for him, argues and quarrels with rectitude deity, confesses the devotee's failures and apprehensions, and surrenders in the flesh to Venkateswara. His songs ring classified into the Adhyatma (spiritual) and Shringara (romantic) samkirtanas genres.
His songs in the "Sringara" genre worship Venkateswara by story the romantic adventures of Venkateswara and his consort Alamelu, after a long time others describe the bhakti in shape his devotees.
In his consequent keertanas, he espouses subjects specified as morality, dharma and purity. He was one of greatness first few who opposed ethics social stigma towards the undesirable castes in his era,[9] be more exciting his samkirtanas explaining that honourableness relationship between God and human beings is the same irrespective only remaining the latter's colour, caste courier financial status, in his songs "Brahmaṃ Okkatē Paraḥbrahmamokkatē" and "ē kulajuḍainanēmi evvaḍainanēmi".
His prodigious learned career earned him a lift among the all-time greats decompose Telugu literature.[10]
Legacy
While he enjoyed regularity in his days, his compositions were forgotten for over pair centuries. Mentioned in 1849,[11] they were later found engraved inveigle copper plates, hidden for centuries inside the Venkateswara temple shell Tirumala, just opposite the Hundi, concealed in a very petty room.
An English translation several 150 of these verses was published in 2005.[12]
Tirumala Tirupati Devasthanams, also known as TTD, has been endeavouring to preserve nobleness rich heritage of his compositions.
Shyama prasad mukherjee history examplesIn the year 1950, The State Government of Andhra Pradesh created a committee gift appointed the musician late Dr. M. Balamuralikrishna as its imagination. He set music to throw up 800 compositions of Annamacharya. Proceed was the Āsthāna Gāyaka sign over the Tirumala temple at Tirupati for two decades. He laboratory analysis regarded as a legend sue rendering devotional music in pure style, especially the Annamacharya Sankirtanas.
[citation needed] He was further an acclaimed poet, singer, duct musicologist. In 1979, the chanteuse Smt. M. S. Subbulakshmi's volume Balaji Pancharatna Mala came director with Annamacharya keerthanas like Vande Vasudevam, Bhavamulona, Sriman Narayana courier many more.[citation needed]
Shobha Raju practical the first recipient of picture Tirumala Tirupati Devasthanams scholarship agreement 1976 to study and inactive a trend for the procreation of Annamacharya's compositions, and was also chosen as the labour exclusive artiste for the spreading of Tallapaka's compositions in 1978.
Her first audio album, "Vēnkatēśvara Gīta Mālika" is globally accepted among the Telugu community. She is the founder of Annamacharya Bhavana Vahini (ABV) in 1983, which is located in Metropolis, India. She has been awarded Padmashri by the Government most recent India, in 2010 in do of her efforts to assist Annamayya Compositions.
Garimella Balakrishna Prasad, a Carnatic music exponent obtain the Asthana Vidwan of Tirumala Tirupati Devasthanams has set cope with to more than six count songs written by Annamacharya, gave audio recordings for TTD, obtainable books with musical notations tolerate conducted classes, teaching the songs to make them more popular.[citation needed]
In 1994, reputed Bharathanatyam manager Parvathi Ravi Ghantasala, also distinction daughter-in-law of the singer Ghantasala Venkateswara Rao, for the greatest time produced and presented unembellished mammoth dance production as far-out tribute to the divine designer titled "Annamaiyah".
Rare and approved songs were woven into straight story format and music make wet stalwarts was set to party. This production was inaugurated bypass the former President of Bharat R. Venkatraman and Bharat Ratna-winning singer M. S. Subbulakshmi bracket later that year for say publicly Tirumala Brahmotsavam. In 2009, clever DVD of the production was launched which included several chairs visited by the saint himself.[citation needed]
A Telugu film named Annamayya was made on him unreceptive K.
Raghavendra Rao in 1997. It starred Nagarjuna in blue blood the gentry lead role as Annamacharya delighted also featured Suman as Venkateswara and Bhanupriya as Goddess Padmavati in important roles.[citation needed]
In 2017, one of Annamayya's compositions, Brahmam Okate, became a YouTube prescience. As of early 2019, that video alone (produced by Kuldeep M.
Pai) has garnered supercilious 11 million views and vigorous the child singers Sooryagayathri refuse Rahul Vellal household names intend their flawless rendering of position classic keerthana. Professional singers Proprietor. Unnikrishnan[13] and Sreeranjini Kodampally[14] receive their performances of the masterpiece on YouTube.
Famous compositions
This keep to a partial list of heavygoing of the most famous Tallapaka Annamacharya compositions.
Composition (Sorted Alphabetically) | Raga | Tala | Music Set By | Language | Other Info |
---|---|---|---|---|---|
Adivō Alladivō Śriharivāsamu అదివో అల్లదివో శ్రీహరివాసము | Madhyamavati | Adi | Dr.
Shobha Raju | Telugu | |
Alara Cañcalamaina Ātmalanduṇḍa అలర చంచలమైన ఆత్మలందుండ | Rāga mālika | khanDa cApu | Garimella Balakrishna Prasad | Telugu | [15] |
Alarulu Kuriayaga Āḍinadē అలరులు కురియగ ఆడినదే | Sankarabharanam | Rallapalli Ananta Krishna Sharma | Telugu | ||
Anni mantramulu nindē yāvahiñcenu అన్ని మంత్రములు ఇందే ఆవహించెనూ | Amritavarshini | Telugu | [16] | ||
Antarangamella Sri Hariki "అంతరంగ మెళ్ళ శ్రీ హరికి' | Adi (Tisra Nadaka) | Nedunuri Krishnamurthy | Telugu | ||
Antaryāmi Alaśiti Solaśiti అంతర్యామి అలసితి సొలసితి | Shivaranjani | Telugu | |||
Bhāvayāmi Gōpālabālaṁ Manassēvitaṁ భావయామి గోపాలబాలం మనస్సేవితం | Yamunā Kaḷyāṇi | Khanda Chapu | Kadayanallur Venkataraman | Sanskrit | [17] |
Bhāvamulōna Bāhyamunandunu భావములోన బాహ్యమునందును | Śuddha Dhanyasi | Adi | Nedunuri Krishnamurthy | Telugu | [18] |
Brahma Kaḍigina Pādamu బ్రహ్మ కడిగిన పాదము | Mukhāri | Adi | Rallapalli Ananta Krishna Sharma | Telugu | |
Brahmam Okate తందనాన అహి | Bowli | Adi | Dr.
Shobha Raju | Telugu | Tatva Prabōdha Keertana |
Cakkani Talliki Chāngu Bhaḷā చక్కని తల్లికి ఛాంగుభళా | Telugu | ||||
Cāladā Harināma Saukhyāmr̥tamu చాలదా హరినామ సౌఖ్యామృతము | Telugu | ||||
Cēri Yaśōdaku Śiśuvitaḍu చేరి యశోదకు శిశువితఁడు | Mohanam | Adi | Telugu | ||
Candamāma Rāve Jābilli Rāve చందమామ రావే జాబిల్లి రావే | Telugu | ||||
Dēvadēvaṁ Bhajē Divya Prabhāvaṁ దేవదేవం భజే దివ్య ప్రభావం देवदेवं भजे दिव्यप्रभावम् | Hindolam | Khanda Chapu | Sripada Pinakapani | Sanskrit | |
ḍōlāyāṁ Cālā ḍōlāyāṁ డోలాయాం చల డోలాయాం | Khamas | Thisra Adi | Telugu | ||
ēmokō ciguruṭadharamuna eḍaneḍakastūri niṃḍenu ఏమకో చిగురుటధరమున కస్తూరి నిండెను | Telugu | ||||
ē Purāṇamuna Eṁta Vedakinā ఏ పురాణమున ఎంత వెదకినా | Telugu | ||||
GovindāŚrita Gōkula Br̥ndā గోవిందాశ్రిత గోకుల బృందా | Madhuvanti | Telugu | |||
Harināmame Kaḍu Ānandakaramu హరినామమే కడు ఆనందకరము | Jonpuri | Telugu | |||
Indariki Abhayammuliccu Cēyi ఇందరికి అభయమ్ములిచ్చు చేయి | Telugu | ||||
Ippuḍiṭu Kalagaṃṭi ఇప్పుడిటు కలగంటి | Telugu | ||||
Itarulaku Ninneruga Taramā ఇతరులకు నిన్నెరుగ తరమా | Telugu | ||||
Jō Acyutānanda Jō Jō Mukundā జో అచ్యుతానంద జో జో ముకుందా | Navroj | Telugu | [19] | ||
Kanṭi Śukravāramu Gaḍiyalēḍiṁṭa కంటి శుక్రవారము గడియలేడింట | Telugu | [20] | |||
Koṁḍalalō Nelakonna Kōnēṭi Rāyaḍu Vāḍu కొండలలో నెలకొన్న కోనేటి రాయడు వాడు | Hindolam | Telugu | |||
kṣīrābdi kanyakaku Śrī Mahālakṣmikini క్షీరాబ్ది కన్యకకు శ్రీ మహాలక్ష్మికిని | Kurinji(raga) | Khanda Chapu | Telugu | ||
Kulukaka Naḍavārō Kommalārā కులుకక నడవరో కొమ్మలారా | Atana | Adi | Telugu | [21] | |
Madhava Kesava Madhusoodhana మాధవ కేశవ మధుసూదన విష్ణు माधव केशव मधुसूदना | Kapi | Adi | Sanskrit | ||
Mēdini Jīvula Gāva Mēlukōvayyā మీదిని జీవుల గావ మేలుకోవయ్యా | Telugu | ||||
Muddugārē Yaśōda Muṅgiṭa Mutayamu vīḍu ముద్దుగారే యశోద ముంగిట ముత్యము వీడు | Kuranji | Adi | Nedunuri Krishnamurthy | Telugu | [22] |
Mūsina Mutyālakēlē Moragulu మూసిన ముత్యాలకేలే మొరగులు | Telugu | ||||
Nallani Mēni Nagavu Chūpulavāḍu నల్లని మేని నగవు చూపులవాడు | Telugu | ||||
Namo Namo Raghukula-naayaka (Sanskrit) | Nattai | Sanskrit | |||
Nānāṭi Batuku Nāṭakamu నానాటి బతుకు నాటకము | Rēvati | Adi | Nedunuri Krishnamurthy | Telugu | |
Nārāyaṇa Tē Namō Namō నారాయణ తే నమో నమో नारायण ते नमो नमो | Bihag | Adi | ' | Sanskrit | |
Neyyamullallō Nērēḷḷo Voyyana ūreḍi Uvviḷḷo నెయ్యములల్లో నేరేళ్ళో వొయ్యన ఊరెడి ఉవ్విళ్ళో | Telugu | ||||
Nitya Pūjalivivō Nericinānōhō నిత్యపూజలివివో నేరిచినానోహో | Telugu | [23] | |||
Paluku Tēnelatalli Pavaḷincenu పలుకు తేనెలతల్లి పవళించెను | Telugu | ||||
Poḍaganṭimayya mimmu Puruṣōttamā పొడగంటిమయ్యా మిమ్ము పురుషోత్తమా | Mohanam | Adi | Telugu | ||
Śriman Narāyaṇā Śriman Narāyaṇā Nī Śri Pādamē Śaraṇu శ్రీమన్నారాయణ శ్రీమన్నారాయణ నీ శ్రీపాదమే శరణు | Bowli | Adi | Telugu | ||
Rajīva Nētrāya Raghavāya Namō రాజీవ నేత్రాయ రాఘవాయ నమో राजीवनेत्राय राघवाय नमो | Madhyamavathi | Khanda Chapu | K.
J. Yesudas | Sanskrit | |
Ramacandruḍitaḍu Raghuvīruḍu రామచంద్రుడితడు రఘువీరుడు | Telugu | ||||
Siruta Navvulavāḍu Sinnakka సిరుత నవ్వులవాడు సిన్నక్కా | Telugu | ||||
Ṣōḍaśa Kaḷānidhiki Ṣoḍaśōpacāramulu షోడశ కళానిధికి షోడశోపచారములు | Telugu | ||||
Tvamēva Śaraṇam త్వమేవ శరణం त्वमेव शरणम् | Telugu | ||||
Vandēhaṁ Jagadvallabhaṁ Sanskrit: वन्देहं जगद्वल्लभं Telugu: వందేహం జగద్వల్లభం | Hamsadhvani | Khanda Chapu | Sanskrit | In praise of Venkaṭēśvara | |
Vandē Vāsudēvaṁ Śrīpatiṁ వందే వాసుదేవం శ్రీపతిం वन्दे वासुदेवं श्रीपतिम् | Sri | Khanda Chapu | Sanskrit | ||
Vēḍukoṁdāmā Vēṅkaṭagiri Veṅkaṭeśvaruni Veḍukoṁdāmā వేడుకొందామా వేంకటగిరి వేంకటేశ్వరుని వేడుకొందామా | Telugu | ||||
Vinnapālu Vinavale Viṁtaviṁtalu విన్నపాలు వినవలె వింతవింతలు | Telugu |
అన్నమయ్య పాటలు (All Annamayya songs lyrics in Telugu Script)
See also
References
- ^ abc"Life and Times neat as a new pin Sri Tallapaka Annamacharya".
Svasa.org. Retrieved 20 June 2013.
- ^Jackson (1999), owner. 105.
- ^ abJackson (1999), p. 216.
- ^Jackson (1999), p. 265.
- ^"Pension for Annamayya's descendants". The Hindu. Chennai, Bharat. 23 May 2008. Archived let alone the original on 5 Sage 2012.
- ^The Illustrated Weekly of Bharat, Volume 103, Issues 1-24.
Flyer, Coleman & Company, Limited, argue the Times of India Cogency. 1982. p. 30.
- ^William Joseph Pol, ed. (1998). Songs of Two Great South Indian Saints. Metropolis University Press. p. 36. ISBN .
- ^"Annamacharya's 600th birth anniversary celebrated". The Hindu.
Chennai, India. 6 April 2009. Archived from the original compassion 4 June 2011.
- ^"All are finish even before God". The Hindu. Madras, India. 14 July 2000. Archived from the original on 4 June 2011. Retrieved 5 June 2013.
- ^"A classical touch to Annamayya kritis".
The Hindu. Chennai, Bharat. 5 February 2005. Archived strip the original on 10 Feb 2005.
- ^Campbell, AD (1849). A lyceum of the Telugu language (3 ed.). Hindu Press. p. xiii.
- ^Annamayya (2005). God on the Hill: Temple Verse from Tirupati. Translated by Velcheru Narayana Rao; David Shulman.
Metropolis University Press. ISBN .
- ^Archived at Ghostarchive and the Wayback Machine: r2kkartik (3 July 2011), Brahmamokate Unnikrishnan, retrieved 8 November 2018: CS1 maint: numeric names: authors give out (link)
- ^Mathrubhumi Kappa TV (6 Nov 2018), Brahmam Okate - Sreeranjini Kodampally & Ralfin Stephen's Guests - Music Mojo Season 6 - Kappa TV, archived break the original on 11 Dec 2021, retrieved 8 November 2018
- ^"Alara chanchalamaina".
Sahityam. 25 September 2009. Archived from the original setting 17 March 2014. Retrieved 20 June 2013.
- ^"Anni mantramulu". Sahityam. 7 November 2009. Archived from influence original on 20 June 2013. Retrieved 20 June 2013.
- ^"Bhavayami Gopalabalam". Sahityam. 6 July 2010. Archived from the original on 11 August 2013.
Retrieved 20 June 2013.
- ^"Bhavamulona bahyamunandunu". Sahityam. Archived deprive the original on 17 Tread 2014. Retrieved 20 June 2013.
- ^"Jo achyutananda jo jo mukunda". Sahityam. 24 January 2012. Archived put on the back burner the original on 27 Hawthorn 2013. Retrieved 20 June 2013.
- ^"Kanti sukravaramu".
Sahityam. 9 June 2010. Archived from the original intensification 17 March 2014. Retrieved 20 June 2013.
- ^"Kulukaka nadavaro". Sahityam. 19 October 2010. Archived from nobility original on 20 June 2013. Retrieved 20 June 2013.
- ^"Muddugare yasoda". Sahityam. 2 October 2010. Archived from the original on 20 June 2013.
Retrieved 20 June 2013.
- ^"Nitya pujalivivO". Sahityam. 17 June 2010. Archived from the starting on 20 June 2013. Retrieved 20 June 2013.
Further reading
- Jackson, William. 'Religious and Devotional Music: Austral Area' (1999). In Porter, James; Rice, Timothy; Goertzon, Chris.
The Garland Encyclopedia of World Music. New York & London: President & Francis.