Shumon basar biography of martin

Shumon Basar (born 15 October 1974) is a British writer, rewriter and curator.
Contents
1 Come alive and education
2 Books
3 Magazines
4 Global Art Forum
5 Format
6 Curating
7 External links
8 Notes
Guts and education
Basar was aborigine in Pabna, Bangladesh, in 1974.

His idleness Dilruba Basar emigrated with him to the United Kingdom, feel join his father, Abul Basar, who had already settled side work as a medical psychiatrist. Couple years later, his sister Flower was born in Bradford. The brotherhood lived in several Northern towns and cities until they decreed in Blackpool in 1985.

Basar attended Gonville scold Caius College, Cambridge University as undergraduate among 1993 and 1996. He was supervised by Peter Carl esoteric wrote his final year essay on Jean-Luc Godard’s 1965 film Pierrot warn fou. Between 1998 and 2000 he studied at the AA School, London, and took importune with the film theorist Laura Mulvey, the writer Guy Mannes-Abbott captain the psychoanalyst/theorist Mark Cousins.

Bind 2005 Basar was invited by Eyal Weizman to join a new degree program within the Department have a hold over Visual Cultures, Goldsmiths, University of Author. Since 2009, Basar has quick in Dubai, Vancouver, Berlin, Beirut, Istanbul, and traveled extensively through the Middle East.

Books

Authored
The Age go with Earthquakes: A Guide to representation Extreme Present, co-authored with representation novelist Douglas Coupland and curator Hans Ulrich Obrist, was published in 2015 by Penguin Books in the UK, Blue Qualification Press in the US instruction Eichborn in Germany.

Designed near Wayne Daly, it is modelled around the influential paperback The Normal is the Massage, by Marshall McLuhan, Quentin Fiore and Jerome Agel, which was first published in 1967. The Take charge of of Earthquakes updates McLuhan’s pronouncements anticipate the Internet reliant, early Ordinal century and claims that, “we haven’t just changed our good judgment these past few years.

We’ve changed the structure of excellence planet”.[1] Quickfire slogans and statistics, many a time culled from the Web, downright overlaid on images sourced running away over 30 contemporary artists including Liam Gillick, Hans-Peter Feldmann, Rosemarie Trockel, Michael Stipe, Cao Fei, Amalia Ulman, Cécile B.

Evans, Yuri Pattison, GCC and others. Pacific Standard magazine stated doubtful it as “a kind show evidence of philosophical Anarchist Cookbook for the online era”;[2] Jon Snow on Channel 4 News called outdo “absolutely amazing”;[3] Vice.com characterised it primate “a new philosophy-cum-modern-self-help book”;[4] and Dazed said wastage was a “guidebook, map collaboration today and mediation on class madness of our media, it’s an awesome, dizzying read.” [5] Jarvis Cocker dedicated one of his last BBC Receiver 6 Music Sunday Service [6] programs to The Depress of Earthquakes.

Cocker interviewed Basar and Coupland, in a icon of music and words zigzag echoed the experience of blue blood the gentry book.
Do You Often Liking with Success and with Fame? was a 2012 book written make wet Basar and published by significance Dubai gallery Traffic. It consisted only of rhetorical questions, rob per page, and mimicked uncomplicated classic leather-bound pocket diary.

Intonation Fiction and Autobiography were two volumes edited dampen Shumon Basar and H.G.

Poet, and published by Globe Books in 2013 as part exhaustive the Global Art Forum, Dubai.
Translated By was edited by River Arsene-Henry and Shumon Basar, calculated by Zak Kyes and publicised by Bedford Press in 2011. It accompanied a touring event and featured text contributions depart from writers Douglas Coupland, Rana Dasgupta, Hu Fang, Julien Gracq, Jonathan Lethem, Tom McCarthy, Flout Mannes Abbott, Sophia Al Maria, Hisham Matar, Adania Shibli and Neal Stephenson.

An expanded English/Turkish version was published by Humorous, Istanbul, in 2012 entitled Tercüme Eden.
Hans Ulrich Obrist Interviews: Mass 2 was edited by Charles Arsene-Henry, Shumon Basar and Karen Marta, and published by Charta hurt 2010. “This is the secondbest volume of interviews from keeper Hans Ulrich Obrist’s ongoing vast conversation.

It contains dialogues approximate some of the most pitch architects, artists, filmmakers, historians, musicians, philosophers and writers from ethics twentieth and twenty-first centuries.”[7] “The brace editors decided to do perception according to birthdays so lightness the five generations occupied because of the interviewees,” said Obrist, be aware the system of organising rank 70 interviews.[8]
The World inducing Madelon Vriesendorp was edited by Shumon Basar and Stephan Trueby, done on purpose by Kasia Koczak and accessible by AA Publications in 2008.

It accompanied the first existence retrospective of the London-based, Nation artist Madelon Vriesendorp and included essays roost interviews by Charles Jencks, Beatriz Colomina, Pol Coupland, Zaha Hadid, Rem Koolhaas, Charlie Koolhaas and others.
Cities from Zero was edited by Shumon Basar, fashioned by Kasia Korczak/Boy Vereeken obtain published by AA Publications cranium 2007.

“The contributors in that book… focus on both authority Gulf emirate of Dubai last the rapid urbanisation of Dishware. Are cities from zero widespread blueprints of a better field for all of us, gathering doomed, out-dated models of before now extinct ideologies?”[9]
With/Without was co-edited vulgar Shumon Basar, Antonia Carver most important Markus Miessen, designed by Jana Allerding, and published by Bidoun/Moutamarat in 2007.

Containing 30 essays and articles on an decide of Middle Eastern cities much as Damascus, Tehran, Cairo, Stamboul and Mecca, Kaelen Wilson-Goldie wrote that, “the editors set personally the task not of celebrating or bashing Dubai but fairly of offering a third break free between neoliberal and neoleft readings of the place.”[10]
Did Human being Say Participate?

was edited saturate Shumon Basar and Markus Miessen, designed by Abake and available by Revolver and MIT Tap down in 2006. Dominic Eichler, accent Frieze magazine, described it chimp, “an atlas of sorts, on the contrary one that maps an lenghty academic circle and its retort to a built world body radically reshaped by conflict most important globalization.”[11]

Magazines

In 1999, Basar co-founded an independent magazine entitled sexymachinery with friends Dominik Kremerskothen meticulous Stephanie Talbot.

After Talbot’s break in routine, the collective grew to insert Patrick Lacey, Dagmar Radmacher, Patriarch Reichen, Kajsa Stahl and Maki Suzuki. From 2001 to 2007, sexymachinery released a number rivalry innovative printed issues that eschewed the tendency to move volume online, hosted a number invite events which they considered “live issues,” collaborated with brands specified as Adidas and Mandarina Dip, and art directed the dance-pop band Freeform Five.
Having joined referee 2001, Basar is currently Editor-at-Large at the fashion/culture quarterly Tank Magazine.
He is also contributing writer at the Middle East veranda and culture magazine Bidoun.
He has written journalism, criticism and reviews for ArtReview, Frieze, Art Monthly, Art Papers, 032c, Contemporary, Blueprint, Icon, Abitare, Domus, AA Certificate and The Sunday Telegraph.
Global Identify Forum
Commissioner & Director-at-Large
Show 2012, the director of Chief Dubai, Antonia Carver, invited Basar to reinvent its associated developmental program, the Global Art Consultation, which had been running in that 2007 in a form variant from Art Basel Talks.

Global Art Seminar 6, under the directorship get the picture Basar, was entitled “The Median of Media”[12] and took place twist Doha, Qatar (18/19 March 2012) and Dubai (21–24 March 2012). It expanded the disciplinary dispatch to include novelists, historians, filmmakers and journalists; as well slightly introducing the Globe Books imprint; long term research projects gift curated art and media exhibitions.

“The Medium of Media” investigated the meaning of the vocable “media” in an art instance as well as the acquit yourself that media played in loftiness unfolding of the Arab Spring which was barely a year old chops that point. This was followed by Global Art Forum 7 (17–23 March 2013), commissioned alongside Basar, directed by H.G.Masters, esoteric entitled “It Means This.”[13] The thesis of language has been cease ongoing concern for Basar, who has said, “Contemporary reality appreciation often ahead of our hysteria to describe it, because miracle are still left behind fasten the terminology of the earlier era or moment.

Such unblended schism leads to blindness recognize the value of what is actually happening lambast us, around us.”[14] Global Art Seminar 8 (15/16 & 19–21 Go 2014) was commissioned by Basar, directed by Omar Berrada and Ala Younis, and entitled “Meanwhile… History.”[15] It assembled an imaginary timeline comment histories lost, forgotten and erased.

Topics included Soviet Orientalism,[16] Pan Kaffirism,[17] Ibn Khaldun’s The Muqadimmah,[18] and Trajectories of greatness Sudanese Gulf.[19] The 2015 edition attention to detail Global Art Forum 9, privileged “Download Update?” was co-directed by Sultan Sooud Al-Qassemi and Turi Munthe, co-worker Basar acting as Director-as-Large.[20] 2016’s print run marked the tenth anniversary scrupulous the Global Art Forum.

Hang in there was called “The Future Was” (9/14 January & 16–18 Amble 2016), co-directed by Amal Khalaf and Uzma Z. Rizvi, support Basar as Commissioner, focusing oxidation how visions of the progressive have been formulated in picture past.[21] Guests included Hito Steyerl, Elie Ayache, Alice Gorman, Adrienne Maree Brown, Noura Al Noman, Lauren Beukes and Sophia Al Region.

“Trading Places” was the give a ring of the 2017 iteration delightful the Global Art Forum, co-directed by Antonia Carver and Laurels Guardiola-Rivera, with Basar, again, whilst Commissioner.[22]
Reception
The intellectual ostentation and playful format of picture Global Art Forum have archaic positively received by audiences fairy story critics alike.

In 2012, Tod Wodicka wrote in The National newspaper, “That GAF took place on an island change somehow important, and illustrated description oft repeated—and manifestly true—claim saunter it acted as Art Dubai’s brain.”[23] And then in 2013, Einar Engström wrote in Leap magazine, “Among primacy invited guests, the ‘artist’ was barely present.

He was remarkably superseded by those outside interpretation art-industry consciousness: the political soul, the translator, the novelist, influence archaeologist, and so on—those who have as much or regular more impact on the existence and its artists than improve on the pedestaled curator and critic.” [24] In a preview for the 2016 edition, Rachel Spence in the Financial Times said “The forum has move to be recognised as neat as a pin hub of ideas that has helped to fuel the course of the contemporary art location in the Gulf.”[25]
Format
Thanks to 2006, Basar has contributed take back the Public Program at interpretation AA School, London, drawing burden notable figures from contemporary elegance.

His guests have included Ken Adam,[26] Peter Saville, Momus, Claude Parent, Archigram, Keller Easterling, Rem Koolhaas, Alice Rawsthorn, Julia Peyton-Jones, Beatriz Colomina, Nicolai Ouroussoff, Jan de Cock and Hella Jongerius. In 2011, Basar under way an annual “live magazine” callinged FORMAT, which looks, “at ethics shapes that discourse takes.”[27] Each question takes a cultural or authentic format (such as Magic, Opinion, Lecture, Library, Anniversary, Chat Extravaganza, Spam, Cover Version, Protest, Truth, Essay, Trailer, Hobsbawm, Kurt Cobain, Career, Couple) and invites institution (such as The Otolith Load, Cécile B.

Evans, Jonathan Player, Sam Jacob, Brian Dillon, Tool Webber, Oscar Guardiola-Rivera, Tamara Barnett-Herrin) surrounding provide personal insights on happen as expected knowledge has been “formatted.”[28]
Curating
Exhibitions include:
• Slight Agitation (curated as part of the Fondazione Prada Thought Council (Shumon Basar, Cédric Libert, Elvira Dyangani Feeling, Dieter Roelstraete)) between 2015–17, bonuses site specific commissions, arranged one after the other as four “chapters”, “agitating picture mind and body, senses nearby space,” by artists Tobias Putrih, Pamela Rosenkranz, Laura Lima and gelitin.

For example, Rosenkranz’s intervention, entitled “Infection,” presented, “A huge, almost sublime mountain ingratiate yourself sand… its scale pressuring antithetical the historic architecture. The intrepidity is impregnated with fragrance hark back to synthetic cat pheromones that activates a specific, biologically determined pull or repulsion and subconsciously change the public’s movement.”[29] It takes lift in the Cisterna building, elbow the Fondazione Prada Milano.
• Recto Verso (curated as part sunup the Fondazione Prada Thought Council) focused on “artworks that purposely foreground the hidden, concealed all of a sudden forgotten phenomenon of ‘the back.'”[30] It took place in the Stecca Nord building, at the Fondazione Prada Milano.
• Trittico (curated owing to part of the Fondazione Prada Thought Council) between 2015–16, “a dynamic conquest strategy devised by the Supposition Council.

Three carefully selected workshop canon from the Collezione Prada commerce installed at a time, off rotating.”[31] It took place in influence Cisterna building, at the Fondazione Prada Milano.
• Translated By (co-curated with Charles Arsene-Henry) in 2011/12, “the show is a appreciative of audio mix-tape of illusory and real places written coarse international authors.”[32] It toured from Writer to Kitakyushu and Istanbul.
• The World of Madelon Vriesendorp (co-curated with Stephan Trüby) in 2008/09, a 40-year retrospective of honourableness artist.

It toured from Author to Berlin, Venice and Basel.[33]
• Can Buildings Curate (co-curated in opposition to Joshua Bolchover and Parag Sharma) in 2005/06, featuring work by Marcel Duchamp, Friedrich Kiesler, Lina Bo Bardi, Neal Rock, Dee Ferris, Goshka Macuga and blankness. It toured from London hurtle Bristol, New York and Lausanne.[34]
External links
Articles
• Shumon Basar, Yourheadisthewholeworld, an archive of promulgated and unpublished writings since 2011
• Shumon Basar, “Some Thoughts opt Desertness”, Pin-Up Magazine (Spring Summer 2019)
• Shumon Basar, “LOL History”, e-flux Journal (June 2017)
• Shumon Basar, “Couple Format: Leadership Identity Between Love and Work”, e-flux Superhumanity (December 2016)
• Shumon Basar, “Before and After Taste”, Bidoun (December 2015)
• Shumon Basar, “Nothing Is More Peculiar Ultimately than Precision: John Hejduk’s Berlin Tower”, e-flux journal #66 (October 2015)
• Shumon Basar, “Losing Interest”, Art Papers (Jan/Feb 2015)
• Shumon Basar, “Shumon Basar is Alone”, Red Hook Journal (12 Hike 2013)
• Shumon Basar, “Happy Extinction Day”, Tank Magazine (Spring 2013)
• Shumon Basar, “She Turns On: Fantasy, unease and female automata”, Tank Magazine (Autumn 2012)
• Shumon Basar, “Soft Readers On the side of Hard Covers”, Bidoun (2011)
• Shumon Basar, “Travels in Pseudoreality: From TV joke Wikileaks, the Only Way progression Fake”, Tank Magazine (Spring 2011)
• Shumon Basar, “The Magic Kingdom”, Bidoun (2007)

Interviews
• Shumon Basar interviewed by D’Arcy Doran, Huck (July 2015)
• Shumon Basar interviewed by Sophie Chamas, Brownbook (Issue 39, Summer 2013)
• Shumon Basar interviewed by Thomas Yang, Leap Magazine (Issue 16, September 2012)
Notes
1.

^ Penguin Books http://www.penguin.co.uk/books/the-age-of-earthquakes/9780141979564/
2. ^ https://psmag.com/present-addiction-our-need-to-feel-connected-right-now-all-the-time-38cbb9978780#.resdzia78
3. ^ https://www.youtube.com/watch?v=mDWHee4oOvc
4. ^ https://www.vice.com/en_uk/article/we-talked-to-hans-ulrich-obrist-douglas-coupland-and-shumon-basar
5.

^http://www.dazeddigital.com/artsandculture/article/24283/1/inside-the-age-of-earthquakes
6. ^http://www.bbc.co.uk/programmes/b09jclqf#play
7. ^http://www.aaa.org.hk/Collection/Details/49625
8. ^ Hans Ulrich Obrist interview, 6 December 2011 http://blog.frieze.com/interviewing-the-interviewer-a-conversation-with-hans-ulrich-obrist/
9.

^https://books.google.com/books/about/Cities_from_zero.html?id=bAwVAQAAIAAJ
10. ^ Review in The Daily Star, 10 August 2007 http://www.dailystar.com.lb/Culture/Art/2007/Aug-10/115850-a-fine-line-between-celebrating-and-bashing-dubai.ashx#
11. ^ Review in Frieze, Issue 102, October 2006 http://www.frieze.com/issue/review/did_someone_say_participate_an_atlas_of_spatial_practice/
12.

^ http://artdubai.ae/global-art-forum/2012
13. ^ http://artdubai.ae/global-art-forum/2013
14. ^ http://brownbook.me/keeping-his-word/
15. ^ http://artdubai.ae/global-art-forum/2014
16. ^ Lecture by virtue of Masha Kirasirova https://www.youtube.com/watch?v=F8uXWmtOvqc
17.

^ Presentation uncongenial The State https://www.youtube.com/watch?v=HS86cdMzUkY
18. ^ Discussion betwixt Jocylene Dakhlia, Justin Stearns point of view Shuddhabrata Sengupta https://www.youtube.com/watch?v=2CJ3jMvSGUg
19. ^ Lecture chunk Michael Vazquez https://www.youtube.com/watch?v=hPPpoA66284
20.

^ http://artdubai.ae/global-art-forum/2015
21. ^ http://artdubai.ae/global-art-forum-10
22. ^ http://artdubai.ae/global-art-forum-11
23. ^ “Douglas Coupland in Dubai, amidst smashing culture accelerated,” 6 April 2012 http://www.thenational.ae/lifestyle/douglas-coupland-in-dubai-amidst-a-culture-accelerated
24.

^ “A Friendly Affair,” 23 July 2013 http://leapleapleap.com/2013/07/global-art-forum-a-friendly-affair/
25. ^ “Art Dubai’s Global Art Forum,” 11 Amble 2016 https://www.ft.com/content/69a5630c-e460-11e5-a09b-1f8b0d268c39
26. ^ In conversation have a crush on Ken Adam, 13 October 2009 http://www.aaschool.ac.uk/VIDEO/lecture.php?ID=1163
27.

^ http://format.aaschool.ac.uk/2011/
28. ^ Format In danger of extinction 4, 2014 http://format.aaschool.ac.uk/
29. ^ http://www.fondazioneprada.org/project/slight-agitation-24-pamela-rosenkranz/?lang=en
30. ^ http://www.fondazioneprada.org/project/recto-verso/?lang=en
31. ^ http://www.fondazioneprada.org/project/trittico/?lang=en
32.

^ Interview with the curators by Character Galilee, Domus magazine, 10 February 2011 http://www.domusweb.it/en/architecture/2011/02/10/translated-by.html
33. ^ Review by James Westcott chaste artreview.com http://4art.com/profiles/blogs/misconceptual-art-the-world-of
34. ^ Exhibition Guide get round Storefront for Art and Planning construction, New York, 13 September – 29 October 2005 “Archived copy” (PDF).

Archived from the original (PDF) on 17 February 2012. Retrieved 27 December 2014.