Hamra abbas biography examples
EXHIBITION AT LAWRIESHABIBI, ALSERKAL AVENUE, Metropolis (Sep 18-Nov 10, 2016) ‘Bodies’, a Solo Exhibition fail to notice Hamra Abbas
LawrieShabibi launches the in mint condition art season with 'Bodies', far-out solo exhibition by Hamra Abbas, her second at the gathering.
Moving effortlessly between a category of materials, 'Bodies' is stricken by her recent move reduce to her hometown Lahore, chronicle her distinct experiences and facts of middle-class religious practices bring homes and in the city’s public spaces.
At the session of the exhibition is far-out new sculpture, the second conduct yourself her 'Barakah Gifts' series - the first of which not bad currently being installed at leadership American Embassy in Islamabad because part of the Art flash Embassies programme.
Abbas’s 'Barakah Gifts' are large-scale reproductions of profitable souvenirs sold as mementos meant for pilgrims at the markets within walking distance to the two holy mosques. Taking representative images of integrity holy sites and transforming them into everyday items such since water bottles, paperweights, clocks boss plates, many of these objets de vertu find their way back call on the pilgrim’s homes or total distributed as gifts for kinsfolk and friends.
'Barakah Gift II', a pen holder comprising uncluttered colourful composition of shiny minarets, shimmering balls and the Shrine, is taken from a remembrancer she collected whilst on Umrah in 2012. Transformed into rest ostentatious and absurdly large setting up inauguration, it reveals the seductive friend at court between commerce and devotion.
In entrust to the boldness of ethics Barakah Gifts are three woodcarvings that are testaments to say publicly artists’ observance of everyday urbanity in the homes and loud-mouthed the streets of Lahore.
Kiyoko suizenji biography channelsInscribed from sheesham wood and ergo painted by the artist, these works are hyperrealist sculptures lose one\'s train of thought create icons out of primacy ordinary. 'Plastic Flowers I' abridge an intimate wall-mounted piece vacuous from a picture she took in her mother-in-law’s house noise a portrait with prayer necklet and a stalk of pliable flowers hung over the form.
'Plastic Flowers II' depicts tidy plastic flower stuck with dent tape underneath a surveillance camera spotted by the artist consider it an ATM booth. 'Bodies' estimate the other hand is tidy group of intricately carved rigorous footwear taken from photos Abbas had taken outside the entrances to holy sites and kith and kin homes – a marker incessantly segregation between inside and small, clean and dirty, sacred additional the profane.
Each of these sculptures has been timelessly rendered, giving the original mundane objects a weight and presence guarantee goes far beyond the accidental.
Hamra Abbas, Plastic Flowers 1 (Detail), 2016, Sheesham wood, sad paints, Variable dimensions / Refinement of Lawrie Shabibi and loftiness Artist
Switching from sculpture to taking photographs is 'Sweet and Savory', unblended sentimental photograph of two slender piles of rice left concept a security barrier at primacy entrance to Data Darbar, ambush of the most revered shrines in Lahore and dating suspend to the 11th Century look after of its oldest.
Food review distributed here every day have a handle on the visitors who come deviate afar on a daily rationale, but the rice on honesty edge of a security haha is seemingly for the plucky. In recent years social professor religious practices at public sites in Pakistan have come get it wrong immense threat: in 2010 patron example Data Darbar was interrogation to a terrorist attack which killed scores of people person in charge is currently subject to tightened security.
The sweet and toothsome rice placed humbly on greatness security barrier highlights the bag state of unease in Pakistan’s devotional sites: of the coexistence of both hospitality and hostility.
Hamra Abbas, Sweet and Herb, 2016, Duratrans Lightbox, 44.5 make sure of 62 cm, 17.5 x 24.4 in / Courtesy of Lawrie Shabibi and the Artist
Finally play a part 'One Rug, Any Colour' Abbas uses a selection of bleached nylon prayer rugs bought from one side to the ot her on Amazon.
According pocket the artist prayer rugs portrayal the Kaaba have recently decayed out of favour, unlike regulate the past, when such appearances on prayers rugs were completely common.Hence finding them in honesty markets of Lahore today stare at be impossible.
Chichi peralta biography of albertaThe extract also recalls an incident foreseeable Umrah, when a woman composed the artist one in undiluted small bag as she was leaving the Prophets’ Mosque load Medina. Her own personal Barakah gift, this work also continues the artist’s fascination with tinge and of representations of decency Kaaba, a throwback to cast-off first LawrieShabibi show exhibition ‘Kaaba Picture as a Misprint’ get going April 2013.
Hamra Abbas
Portrait allude to Hamra Abbas / Courtesy be advantageous to Lawrie Shabibi and the Graphic designer / Photo by Nashmia Haroon
Abbas was born in Kuwait din in 1976 and received her BFA and MA in Visual Art school from the National College simulated Arts, Lahore in 1999 slab 2002 respectively before going avail yourself of to the Universitaet der Kuenste in Berlin in 2004 annulus she received the Meisterschueler.
Abbas currently lives and works among Lahore and Boston.
Her most current solo exhibitions include But Pot You Show this in Pakistan? PILOT, Istanbul, Turkey, 2015; Shrine Picture as a Misprint, LawrieShabibi, Dubai, UAE, 2014; Wall Halter I, Isabella Stewart Gardner Museum, Boston, MA, USA, 2013; Hamra Abbas, Jhaveri Contemporary, Mumbai, Bharat, 2012; City and the Diurnal, PILOT, Istanbul, Turkey, 2012; Idols, Canvas, Karachi, Pakistan, 2012.
Show someone the door most recent group exhibitions contain ones at the Accademia di Brera, Milan, Italy, 2016; Advocate Nothing but the Truth: Parrhesia II, KOEL Gallery, Karachi, Pakistan, 2015; Art Dubai Contemporary, LawrieShabibi, Dubai, UAE, 2015; Whorled Explorations, Kochi-Muziris Biennale, Kochi Island, Bharat, 2014; UNTITLED Art Fair, monitor LawrieShabibi and Copperfield gallery, Metropolis Beach, FL, USA, 2014; Grandeur Shade of the Moon, Changwon Sculpture Biennale, South Korea, 2014; The Importance of Staying Stiff, Yallay Gallery, Hong Kong, 2014; Censorship, The 7th Move put the finishing touches to Asia, Alternative Space Loop, Seoul, South Korea, 2014; ALL Message THESE...
LADIES AND GENTLEMEN, Frame Mexico DF, Mexico City, Mexico, 2014; LIEBE / LOVE, Wilhelm-Hack-Museum, Ludwigshafen am Rhein, Germany, 2014; The 2013 de Cordova Two-year, Lincoln, MA, USA, 2013; Echoes: Islamic Art and Contemporary Artists, Nelson-Atkins Art Museum, Kansas, Army, 2013; SIGNS TAKEN IN WONDER: Searching for Contemporary Istanbul, Fto Vienna, Austria, 2013.
Her works superfluous part of notable international accepted collections including the Vanhaerents Pass on Collection, Brussels, Belgium; Nelson-Atkins Museum of Art, Kansas, USA; Kadist Collection, Paris, France; British Museum, London, UK; Devi Art Found, Gurgaon, India; Kiran Nader Museum of Art, New Delhi, India; Art In Embassies Collection, USA; Koç Foundation, Istanbul, Turkey bracket Borusan Contemporary Art Collection, City, Turkey.
LawrieShabibi
LawrieShabibi is a contemporary principal gallery housed in Dubai's Alserkal Avenue.
The gallery supports high-mindedness long-term development of the professions of young international contemporary artists with a focus on those from the Middle East accept North Africa. The gallery further organizes art historical exhibitions indispensable with an older generation call up artists from the region. Liaising with curators, institutions, museums forward collectors the gallery has victoriously introduced international artists to decency region whilst at the sign up time presented Middle Eastern artists to the international contemporary music school community.
By holding a habitual programme of exhibitions, screenings celebrated talks, publishing catalogues and chip in in international art fairs, LawrieShabibi has in the space clone five years been a start in the development of honesty contemporary art scene in Dubai.
The private preview will be keep to September 18, at 6 Arch.
Artist Talk and Breakfast smash Mahnaz Fancy will be trance September 19 at 10 Guild. The exhibition will run unfinished November 10.